"Leonardo. The genius, the myth" in Turin

An exceptional exhibition featuring near thirty original drawings on loan from leading Italian and international museums, and several writings on the famous Leonardo's Self-Portrait from the Royal Library of Turin, is taking place at the Scuderie Juvarriane della Reggia di Venaria (Venaria Reale) in Turin, Italy.
This is the third time that the master's self-portrait is shown to the public.

The introductory section of the exhibition presents a biography of the artist and references to Leonardo’s social context, his cultural background and training, as well as an overview on his various fields of activity.
A video curated by Piero Angela, entitled “What did the young Leonardo look like?”, illustrates Leonardo’s work with particular emphasis on the artist’s appearance.
At the end of the exhibition, a multimedia display designed and produced by Haltadefinizione, features a digital replica on a 1:1 scale of The Last Supper, on which an indepth analysis takes place concerning the physical appearance and expressions on this masterpice.
Leonardo's legacy is shown through a number of films representative of his Genius, curated by Arnaldo Colasanti.

Curated by Carlo Pedretti, Paola Salvi and Clara Vitulo, the drawings section presents the Codex on the Flight of Birds (Codice sul volo degli uccelli) and a complete set of near thirteen original works by Leonardo that are part of the collections of the Royal Library of Turin, including the famous Self-Portrait. Italian and international loans provide additional context and further integrate the subjects present in the Turin collection, with a special focus on the human face,
nature, human anatomy and machines.

Selected works by artists from the late 15th to the 19th century, curated by Pietro C. Marani, provide an overview of the figure of Leonardo in literature and figurative art, as the very appearance of the artist becomes an icon of the Renaissance genius.
Starting in the 1500s the image of the Master was associated with that of Heraclitus, the Greek philosopher who led the way into the investigation of nature.

With curatorship of Roberto Barilli, the figure of Leonardo in contemporary art, opens with the Vitruvian Man by Mario Ceroli and the famous tribute Mosa Lisa with moustache by Marcel Duchamp.
The Last Supper has served an inspiration for many artists, reprised by Andy Warhol as well as many other recent protagonists of the art scene like Spoerri, Nitsch, Recalcati and David La Chapelle.
Leonardo’s Notes from the Treatise on Painting describe stains on the walls as forms of arcane passages, a theme that was embraced by Informal Art and specifically Tachisme, including Tàpies, Rotella, Bendini and Novelli.

The exhibition is organised in the vast spaces of the 18th-century Great Stables by Filippo Juvarra of the Reggia di Venaria.
The display is designed by the Academy-Award winner Dante Ferretti, who presents Leonardo’s imposing machines as spectacular settings that contain original works.
Elaborate video projections on the walls celebrate the Self-Portrait.
A catalogue is available through Silvana Editoriale.

"Leonardo: The genius, the myth" (Leonardo. Il genio, il mito) can be visited from November 17, 2011 to January 29, 2012 at the Juvarra Stables of the Reggia di Venaria, Turin Italy. Tuesday - Friday (9.00 a.m. to 6.00 p.m.), Saturday and Sunday (9.00 a.m. to 8.00 p.m.). Closed on Mondays (except for any public holidays, in which the visiting hours are the same as Sunday).
The exhibition is closed on December 25.
On January 1st, opens at 11.00 a.m.

Given the exceptional nature of the exhibition and the extraordinary measures required for the conservation and the safety of the works on display, only 120 visitors are allowed inside the Stables every 30 minutes.

This major exhibition marks the end of the celebrations for the 150th anniversary of
Italy’s Unification, a tribute to the brightest example of the Italian creative genius.

In Berlin: Renaissance Faces - Masterpieces of Italian Portraiture

Renaissance Art Exhibit Kicks-Off in Berlin... por NTDTV

The Gemäldegalerie—National Museums in Berlin and the Metropolitan Museum of Art, New York, have partnered to organize a major exhibition on the genesis of the Italian portrait of the Renaissance.

The exhibition shows more than 150 works, including drawings, paintings, sculptures and medals loaned by major art museums, galleries and private collections, such as the Louvre, the National Gallery in London, the Uffizi Gallery, Museum der bildenden Künste in Leipzig, Victoria and Albert Museum, Ashmolean Museum in Oxford, and National Gallery of Ireland in Dublin.

Set against the backdrop of Italy’s geographical, political and cultural complexities in the 15th century, the exhibition is divided into three thematic sections: Florence, where the independent portraiture debuted on a significant scale; the courts of Ferrara, Mantua, Bologna, Milan, Urbino, Naples and finally papal Rome; and finally Venice, where only late in the century a portrait tradition established itself.
Through the observation of profile portraits from 15th-century Italy, visitors will observe a society dominated by family descent and social hierarchies, where conventions were binding.

Among the celebrated painters from the Renaissance who are represented in this major exhibition, are the names of Antonello da Messina, Bellini, Botticelli, Donatello, Francesco Laurana, Giambono, Lombardi, Mantegna and Masaccio.
But for many, the major highlight is Leonardo da Vinci with his painting ‘Lady with an Ermine’ from the Czartoryski Collection, Cracow.


Leonardo da Vinci - Lady with an Ermine por ikonotv

An extensive programme of events is on offer to accompany the major exhibition,
including a series of five lectures, held from September to November
2011, on the various sitters and the world famous artists who painted them.

The exhibition "Renaissance Faces - Masterpieces of Italian Portraiture" (Gesichter der Renaissance - Meisterwerke Italienischer Portrait-Kunst) can be visited at the Bode Museum in Berlin, from 25 August 2011 to 20 November 2011 (Fri – Wed 10 a.m. – 6 p.m., Thur 10 a.m. – 10 p.m.).
After which it will be exhibited at the Metropolitan Museum of Art in New York,
from 19 December 2011 to 18 March 2012.

A catalogue (ISBN 978-3-7774-3581-7) with 432 pages, 261 plates in colour and black-and-white, 20.3 × 25.4 cm, hardback, is available at the museum for the special price of €29.90.

Available for download for free at www.smb.museum/gesichter or at the Apple Store/www.apple.com/itunes, is an online application containing around 100 commentaries, over 250 artworks in high resolution images, as well as some 50 videos.