The Art Inquirer is your source of news for the artist and the Art appreciator
Established in 2008

Saturday, September 21, 2013

NYU Abu Dhabi seeks a Professor for its Visual Arts Program


NYU Abu Dhabi is seeking for its Visual Arts Program, an innovative and accomplished artist-teacher, with a strong professional profile and a demonstrated commitment to undergratuate teaching. This is an open-rank search for a renewable arts contract position.

  Candidates should hold an MFA and/or have extensive professional experience as an artist (painting and/or sculpture) as well as significant experience teaching in internationally recognized visual arts programs and/or liberal arts universities.
The successful candidate will be deeply interested in interdisciplinary work and committed to working
collaboratively on creating curriculum and mentoring student projects from technical, theoretical,
and aesthetic perspectives.

 Faculty position encompasses three undergraduate courses per year (semester system), including at least one in the core curriculum. Engaging in both teaching and research opportunities at NYU New York and other sites of its global network will be possible.
Please visit the page of the Visual Arts Program for a description of its innovative curriculum

 The terms of employment are competitive and include housing and educational subsidies for
children. Members of NYU Abu Dhabi standing faculty receive generous support for research and
travel.

 The appointment will begin as soon as September 1, 2014, with a later start date possible, pending candidate availability.

 Applications are due by October 15th and will be reviewed until the position is filled.
To be considered, applicants should submit a cover letter describing their training, experience, teaching
philosophy, and approach to making art; a Curriculum Vitae; and three letters of reference, all in
PDF format.

 Instructions and other information on how to aplly, as well as other open faculty positions, can be retrieved on this page. Any questions can be sent by email.

Tuesday, September 10, 2013

"Sunset at Montmajour" attributed to Vincent van Gogh

 It was inventoried among Theo van Gogh's collection of his brother's works in 1890 and then sold by Theo's widow, Johanna van Gogh-Bonger to a Paris art dealer in 1901.
 During the year of 1970, re-emerges as part of the estate of the recently deceased Norwegian industrialist Christian Nicolai Mustad.
However, Mustad was advised by the French ambassador to Sweden that it was not a Van Gogh. As a consequence, "Sunset at Montmajour" was stashed away in the attic, where it stayed until the current owners purchased it from him.

 In 1991, the unsigned painting was taken to the Van Gogh Museum, but at the time the museum experts didn't conclude as authentic.

 About twenty years later, its owners brought back to the museum to seek authentication, and its researchers have been examining it ever since.
Under the supervision of Louis van Tilborgh, the Van Gogh Museum’s senior researcher, it was recently concluded that the work was a genuine van Gogh painting because the pigments correspond with those of van Gogh’s palette from Arles. “This time, we have topographical information plus a number of other factors that have helped us to establish authenticity,” said the museum director,  Mr. Axel Rüger. “Research is so much more advanced now, so we could come to a very different conclusion.”

 Mr. van Tilborgh states that "Sunset at Monmajour" was was painted on the same type of canvas and with the same type of underpainting van Gogh used for at least one other painting of the same area, “The Rocks.” The work was also listed as part of Theo van Gogh’s collection in 1890. It has “180” painted on the back, which corresponds to the number in the collection inventory. “That was the clincher,” he said

 The date of completion of the painting  has been identified as July 4, 1888. This conclusion was based upon a letter that Vincent van Gogh wrote to his brother on the next day, where he discribes the scene:

 “Yesterday, at sunset, I was on a stony heath, where very small, twisted oaks grow, in the background a ruin on the hill, and wheat fields in the valley. It was romantic, it couldn’t be more so, à la Monticelli, the sun was pouring its very yellow rays over the bushes and the ground, absolutely a shower of gold. And all the lines were beautiful; the whole scene had charming nobility.”

 The painter moved to Arles in February 1888, where he spent time exploring the landscapes in Provence and doing plein air painting. Van Gogh was particularly fascinated by the flat landscape around the hill of Montmajour, with its rocky outcroppings and hay-colored fields.
In a letter dated July 1888, he said that he had been to Montmajour at least 50 times “to see the view over the plain.”

 Art historian Mr. Leeman, said that “in hindsight, many pointers in his letters and entries in catalogs of the 1900s have been linked to other paintings or misidentified,” adding, “Here, we see a painting that fits those descriptions exactly.”

 Depicting dusk in the hilly, forested landscape of Montmajour, in Provence, with wheat fields and the ruins of a Benedictine abbey in the distance, the 73.3 cm × 93.3 cm (28.9 in × 36.7 in) oil painting was completed during the most important period of van Gogh's life, when he created his significant masterpieces, such as 'Sunflowers,' 'The Bedroom' and 'The Yellow House.'

 "Sunset at Montmajour" will be on display at the van Gogh Museum during one year, starting on September 24, as part of the current exhibition, "Van Gogh at Work," which focuses on other new discoveries about the painter’s artistic development.
According to Mr. Rüger, the current owners have not indicated what they intend to do with it after that.

 This is the first full-size painting by Van Gogh to be discovered since 1928.

Sunday, June 16, 2013

Made in Hollywood - Photos from the John Kobal Foundation



Conceived by the Santa Barbara Museum of Art (US), "Made in Hollywood" shows the original photos by some of the most prominent photographers of the Hollywood studios between 1920 and 1960, such as George Hurrell, Clarence Sinclair Bull, Laszlo Willinger, Ernest Bachrach, A.L."Whitey" Schaefer, Bob Coburn, William Walling, E.R. Richee and Scotty Welbourne.

 The 93 photos belonging to the John Kobal Foundation and in exhibition at the Centro Cultural de Cascais, portray some of the most famous movie stars and symbols of the Hollywood studios golden era. Some of the names include Buster Keaton, Elizabeth Taylor, Gary Cooper, Gloria Swanson, Greta Garbo,Humphrey Bogart, James Dean, Marlon Brando, Marylin Monroe and Rita Hayworth.

 Parallel activities will take place during the time of the exhibition, including a film programme in the movie hall Dr. Félix Ribeiro at the Cinemateca Portuguesa:

July 1 - Opening session with movie critique José Matos-Cruz.
Movie: "Suddenly Last Summer" (1959)

July 2 - 15h30 -  "Sabrina" (1954)
             19h30 - "Monkey Business" (1952)

July 3 - 15h30 - "The Young Lions" (1958)
July 4 - 15h30 - "Morocco" (1930)
July 5 - 19h00 - "Macao" (1952) - Closing session with the participation of Simon Crocker, President of the John Kobal Foundation.

 The exhibition "Made in Hollywood - Fotografias da Fundação John Kobal" is presented in Portugal by the Fundação D. Luis I, with the collaboration of the City Hall of Cascais, and can be visited free of charge at the Centro Cultural de Cascais until September 1, 2013 (Tuesday - Sunday; 10h00 - 18h00).
Terra Esplêndida is responsible for the production.

 Besides his participation at the Cinemateca Portuguesa, Simon Croker will also be at the exhibition on the same day at 15h00, for a guided visit. An event that the public will not want to miss.

Saturday, June 15, 2013

Visit Art Basel 2013 During The Weekend



 If you are in Switzerland or nearby, why not reserve some of your time this weekend and visit one of the most renowned art fairs in the world?

 The 2013 edition of Art Basel, puts the public in direct contact with Modern and Contemporary art, ranging from the great masters of the 20th century to 21st century artworks, including the latest generation of emerging arists. All represented by 230 of the world's leading galleries.

 With more than 4000 artists represented, most of the artistic medium are represented at the fair, including paintings, sculpture, installations, videos, multiples, prints, photography, and performance.
Art Basel 2013 offers eight sectors that complement each other and enrich the visitor's experience.

Curated projects include solo presentations, juxtapositions, or thematic exhibits.
Each year, two outstanding young emerging artists from the statements sector, are awarded with the Baloise Art Prize. These solo projects are acquired by the Baloise Group, which are then donated to renowned European art institutions.

 Unlimited is an exhibition platform dedicated to projects that transcend the physical limitations of a common art-show stand. Large-scale installations, out-sized sculptures and paintings, video projections and live performances, are some of the innovative works exhibited on this platform. Unlimited is curated by New York-based curator Gianni Jetzer.


 Berlin film scholar Marc Glöde and Zurich collector This Brunner, are the curators of the film section,  a week-long programme dedicated to films by and about artists.

 Enhancing the experience beyond Basel's headquarters, Parcours engages the public with interventions and performances by renowned international artists and emerging talents, as well with site-specific sculptures.
This section is curated by Florence Derieux and is open to the public.

 Visitors can acess some of the most prominent art publications from around the world.
Editors and publishers are often present  and many magazines contribute with presentations to the Salon series, including lectures and panel discussions.

 Beyond these sectors, Art Basel offers a full programme of events that include symposiums and artist talks.
The morning Conversation series, enables the audience to access to an insider's point of view, while Dynamic dialogues take place between prominent members of the artworld, each sharing their unique perspective on producing, exhibiting and collecting art. Conversations is presented in collaboration with the Absolut Art Bureau.

 A mobile app is available for Art Basel, providing essential information as well as an interactive 3D-map and events listing.

 Tickets can be purchased online until the last day of the art fair.

Video curtesy of Vernissage TV

Friday, May 24, 2013

Operation "Rainbow" seizes near 300 fake paintings in Portugal

 In the scope of investigations concerning art faking and forgery, the Lisboa e Vale do Tejo Directory of the Portuguese Judiciary Police, initiated an operation entitled "Arco-íris" (Rainbow).
During the operation, the involved agents managed to detect and seize near 300 presumably fake paintings, allegedly by the renowned artists Paula Rego and António Palolo.

 The paintings, found in the possession of several merchants and collectors, were apprehended in the sequence of persistant investigation and house searching in the city of Lisbon and around its outskirts. The authorities also managed to find and apprehend some fake authenticity certificates corroborating the authenticity of the artworks.

 For its unprecedented number of fakes focusing on just two authors, the result of this investigation is the biggest of its genre accomplished in Portugal up to date.

 An antiques dealer, found in the possession of several artworks and suspected of introducing fake paintings into the art market, was constituted defendant.

Saturday, May 18, 2013

International Museum Day 2013



Established by the International Council of Museums (ICOM)in 1977, the International Museum Day has the purpose of raising public awareness of the role of museums in the development of society.

 Celebrated every year in the 18th of May, the 2013 theme is “Museums (Memory + Creativity) = Social Change”. Putting together their traditional mission of displaying and conserving of hour historical heritage, with the necessary creativity to attract new and more public through their programmes, museums want to play a constructive role in society.

 During the International Museum Day 2013, near 32000 museums in 129 countries, celebrate this day with special programmes, including workshops,  and extendend opening hours - often until midnight.

 Don't stay home today, go to a museum near you.

Sunday, May 12, 2013

Frieze New York 2013 - Contemporary Art Fair

 

Designed by SO – IL architects and sponsored by Deutsche Bank, the second edition of Frieze New York, contemporary art fair, is being held at New York’s Randall’s Island Park until tomorow May 13, 2013.

 Realized annually at Frieze New York and curated by Cecilia Alemani, this year's Frieze Projects program includes seven specially commissioned projects, for which five participating artists were invited to conceive site-specific works that either react to the exceptional location of Randall’s Island or engage with the experience of the fair.
The 2013 invited artists are: Andra Ursuta, Liz Glynn, Maria Loboda, Marianne Vitale and Mateo Tannatt.

 The program also features a special tribute to legendary artist-run restaurant FOOD, originally conceived by Gordon Matta-Clark and Carol Goodden in 1971. With a menu that changes daily, the artists chefs at FOOD 1971/2013 are: Matthew Day Jackson, Carol Goodden, Tina Girouard and Jonathan Horowitz.

 This year's Frieze Projects program includes a literary project entitled Frieze Story, this year with an original text by novelist Ben Marcus.
Interviews with all the commissioned artists, plus a special homage to FOOD as a continuing source of inspiration, appear in the Frieze New York Catalogue, which is available to purchase at the fair, and via frieze.com, and is priced: $39.95 / £24.95 / €30.77.

 Visitors to the Art Fair will have the chance to appreciate the work of sculptors from around the world, including Paul McCarthy’s Balloon Dog (2013), an 80-foot-high inflatable work.
Fiona Connor, Style Guide Spa (2013); Saint Clair Cemin, Fotini (2013); Martha Friedman, Amygdalas (2013); and Nick Van Woert, Primitive (2013) are also among the artists exhibiting at the Sculpture Park, located along the waterfront of Randall’s Island and overlooking the East River
Also on show will be works by artists: Tom Burr, Tom Friedman, Andreas Lolis, Charles Long, Jason Meadows, Pae White and Franz West. The Sculpture Park at Frieze New York is selected by curator Tom Eccles.

 Artists Charles Atlas and the New Humans, Trisha Baga and Haroon Mirza, were invited to create the three commissioned audio works for the second edition of Frieze Sounds, programmed and curated by Cecilia Alemani and presented with BMW. The sound works will be premiered in the BMW 7 Series cars that operate the VIP shuttle services from Randall’s Island.
Additionally, the works will be accessible at friezenewyork.com, available to download since May 10, 2013, and at a listening station within the fair.

 Frieze Talks is a daily program of presentations, panel discussions and conversations with leading artists, writers and cultural commentators. Frieze Talks 2013 is programmed by editors of frieze Dan Fox (Co-Editor) and Sam Thorne (Associate Editor).
This year’s participants include: Douglas Crimp, Lydia Davis, Joan Jonas and John Maus.

 Because education is an important part of our lives, this 2013 edition includes the Frieze New York Education, a space that enables public school classes and museum groups to further explore the fair through workshops.
psonsored by Deutsche Bank and held in a dedicated structure the program is devised by Free Arts NYC and 826NYC who together produce a dynamic context for students ranging from 4th–12th grade to explore notions of contemporary art and color. The guide and space centers around color theory and contemporary art. A creative documentation of the workshops will be made via a Frieze Education tumblr page.

 Gary Hattem, President of the Deutsche Bank Americas Foundation, said of the Education program: ‘This new educational component is a chance for children to interact with art from around the world in their own backyard.’

 The 2013 edition of Frieze New York includes a selection of over 180 of the world’s leading contemporary art galleries. A strong contingent of US galleries is particularly in evidence, with 55 participating galleries from the fair’s host city. Galleries from the following 32 countries will show at Frieze New York 2013: Argentina, Australia, Austria, Belgium, Brazil, Canada, China, Colombia, Denmark, France, Germany, Greece, India, Ireland, Israel, Italy, Japan, Korea, Lebanon, New Zealand, Norway, Poland, Romania, Russia, South Africa, Spain, Switzerland, The Netherlands, Turkey, UAE, UK and USA.

 Emerging galleries will be participating in the Focus and Frame sections of the fair. Focus is for galleries less than ten years old debuting works previously unseen in an art-fair context.
Focus galleries will show curated projects or solo stands conceived for Frieze New York. Frame is a section dedicated to galleries established less than six years ago and, this year, is supported by Joe Fresh. The Frame galleries selection is made on the basis of a proposed solo presentation and has been advised by curators Rodrigo Moura and Tim Saltarelli.

 A Stand Prize in the value of $15,000, was presented on Thursday 9 May to the most innovative gallery stand at the fair. The award was sponsored by Champagne Pommery and judged by an international panel of curators: Juan A. Gaitán (Curator 8th Berlin Biennale); Naomi Beckwith (Marilyn and Larry Fields Curator, MCA Chicago); Jeffrey Grove (The Hoffman Family Senior Curator of Contemporary Art, Dallas Museum of Art).

 Tickets to Frieze New York 2013 are on sale for $26 and can be bought online friezenewyork.com/visitors/tickets. Please note: to ensure the best experience for all visitors, tickets are limited and only available in advance.
 Frieze ferry services run from the 35th Street Ferry Dock on the East River every 15 minutes during fair opening hours and take approximately 20 minutes. $12.50 round-trip including booking fee. Tickets only available in advance.

 Frieze bus services run from outside the Guggenheim Museum on 5th Avenue between 88th and 89th Streets approximately every 10 minutes during fair opening hours. $5.50 round-trip including booking fee. Tickets only available in advance.

 Visitors should visit this page for further information.

Sunday, April 21, 2013

“Really, Really Like Me” - A children's book about accepting disabilities



Written by Gretchen Leary and illustrated by Dani Bowman, “Really, Really Like Me” is an interactive children's book that helps children to understand the differences and promote a healthy interaction between children with and without disabilities.

 Maybe with this book, children can start teaching adults on how to deal with differences and not to be afraid of them.
Afterall, if it weren't the differences between men and women, you wouldn't be reading this.

 Both Gretchen Leary and Dani (Danielle) Bowman are on the autism spectrum.

Saturday, April 13, 2013

Michael Kountouris is the winner of the Worldpress Cartoon 2013



Greek artist Michael Kountouris was awarded the WPC Sintra 2013 Grand Prix during the ceremony that took place yesterday at the Centro Olga Cadaval, Sintra.
He won with his editoril cartoon «EU Rescue Team» published in «Efimerida Ton Syntanton» newspaper, from Athens.

 Born in Rhodes in 1960, the winner of the World Press Cartoon 2013 has been working as an editorial cartoonist in Greek newspapers since 1985 and has been cooperating with magazines.
Kountouris is also a children's books illustrator and regular member of the Athens Journalists Union since 1993 as well as founding member and secretary of the Greek Cartoonists Association.
During his career, he has been awarded several prizes and honourable mentions.


 First, second and third prizes, were attributed in each category, as well as several honourable mentions.

 In the Caricature category, the winners were: 1st Prize: «Evo Morales», by Pablo Lobato, from Argentina, published in the «Qué Pasa» newspaper from Santiago do Chile; 2nd Prize: «Mandela» by Jarbas Domingos, Brazil, published in «Diario de Pernambuco» newspaper from Recife, Brazil; 3rd Prize: «Messi» by Carbajo, Spain, published in «El Jueves» magazine from Barcelona.

 In the Gag Cartton category, the winners were: 1st Prize: «Low Economy», by Saeed Sadeghi, Iran, published in the «Jam-E-Jam» newspaper, from Tehran; 2nd Prize: «Who is...», by Robert Rousso, France, published in «Barricade», from Paris; 3rd Prize: «Free Warrior», by Raul Zuleta, Colombia, published in «El Mundo de Karry», from Lima, Peru.

 In the Editorial Cartoon category, the winners were: «EU Rescue Team» by Michael Kountouris, Greece, published in «Efimerida Ton Syntanton» newspaper, from Athens (winner of the World Press Cartoon 2013 Grand Prix); 2nd Prize: «Untitled» by Radulovic Spiro, Serbia, published in «Politika», from Belgrade; 3rd Prize: «USA greatest enemy», by Gregório de Holanda, Brazil, published in the «Diário de Pernambuco» newspaper, from Recife.

The works can be seen at the Centro Cultural Olga Cadaval, from April 13 through June 30, 2013.
A catalogue is also available for purchase.