Friday, October 21, 2011
In The Presence of Things. Four Centuries of European Still-Life Painting - Part Two: 19th - 20th Centuries
Today inaugurates one of the most expected exhibitions organized by the Gulbenkian Museum and curated by Neil Cox PhD.
Exhibiting the works by some of the most prominent names, with particular focus on modern still life in the 19th century and on the fundamental changes which occurred during the first half of the 20th century, "In the Presence of Things. Four Centuries of European Still-Life Painting (1840 - 1955)", invites the viewer to observe the different approaches to still-life painting through different ages and geographical places.
The exhibition, which in portuguese is entitled "A Perspectiva das Coisas. A Natureza-Morta na Europa 1840-1955," includes 93 paintings from 70 artists, including those of Realists and Impressionists such as Claude Monet, with his painting Still-life with Melon, one of the most important pieces owned by the Gulbenkian museum, the paintings of Post-Impressionist painters like Cézanne, Van Gogh, Manet and Gauguin, as well as works by Picasso, Duchamp, Braque, Matisse, Magritte, Dalí, Man Ray and Max Ernst.
This is a unique opportunity to observe in person, works of art which were gently loaned by some of the most important museums in the world, in a total of 37, including Centres Georges Pompidou (Paris), Kunstmuseum (Basel), Musée D'Orsay (Paris), Museo Thyssen-Bornemisza (Madrid), Philadelphia Museum of Art (USA), Tate (London), National Gallery of Art (Washington), The Metropolitan Museum of Art (New York), and The Museum of Modern Art (New York).
In The Presence of Things. Four Centuries of European Still-Life Painting - Part Two: 19th - 20th Centuries (1840 - 1955), can be visited between 21 Oct 2011 to 8 Jan 2012 at the Calouste Gulbenkian Foundation, Temporary Exhibition Gallery:
Tuesday to Sunday 10:00 - 18:00
Thursday and Saturday 10:00 - 20:00
Admission: 5€ | Admission + audio-guide: 6€
The first part (17th - 18th Centuries) took place last year, with curatorship supervised by the Prof. Peter Cherry.