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Tuesday, March 29, 2011

The Institut Néerlandais presents Netherlandish Masters 1500-1700: the hundred most beautiful drawings of the Hamburger Kunsthalle

The Hamburger Kunsthalle conserves one of the most important and beautiful collections of Dutch and Flemish drawings from the 16th and 17th centuries. At the occasion of the publication of a fully descriptive catalogue of these drawings comprising circa 1337 plates , which took Annemarie Stefes near ten years to complete, the Fondation Custodia was invited to select one hundred of the most beautiful works, which is being exhibited at the Institut Néerlandais in Paris.

The exhibition is divided in halls.

The first hall is dedicated to the 16th century, showcasing the works of masters such as Gerard David, one of the last Flemish Primitives, Pieter Bruegel the Elder (ca. 1525/30 – 1569), Maerten van Heemskerck (1498 – 1574) , as well as by others turning the century like the lanscape painters Roelant Savery (1576/78 – 1639) et David Vinckboons (1576 – 1629).

The second one, dedicated to the 17th century and containing the higher number of works, features three drawings by Rembrandt (1606 – 1669), and works by Nicolaes Moeyaert (1592/1593 – 1655), Adriaen van Ostade (1610 – 1685) and Hendrik Avercamp (1585 – 1636). This hall also includes a section dedicated to landscapes, exhibiting drawings by renowned Dutch landscape painters Barent Fabritius (1624 – 1673), Ferdinand Bol (1616 – 1680), Govert Flinck (1615 – 1660), the last two distinguished Rembrandt's pupils, and another section containing Dutch scenes represented by Janvan Goyen (1596 – 1656), Anthonie Waterloo (1609 – 1690), Allart van Everdingen (1621 – 1675) and Aert van der Neer (1603/1604 – 1677).

In the third hall, dedicated to the 17th Flemish century, visitors can explore some major works of important Flemish masters such as d’Antony van Dyck (1599 – 1641), Jacob Jordaens (1593 – 1678), Jan Brueghel the Elder (1568 – 1625) and Adrian Brouwer (1605/06 – 1638).

The fourth hall exhibits figure studies by Dutch artists such as Rembrandt's master Pieter Lastman (1583 – 1633) and works by followers of Italian compositions like Nicolaes Berchem (1621/22 – 1683). Also represented in this all are Paul Bril (1554 – 1626), Jan-Baptist Weenix (1621 – 1659/1661) and Jan Asselijn (1610 – 1652).

When visiting the fifth hall, one can explore three sections: portraits, villages and marine views. The Dutch portraiyed through drawings of Jan Lievens (1607 –1674) and Leendert van der Cooghen (1632 - 1681). Village views are represented in the works of Jan van der Heyden (1637 – 1712), Jacob van Ruisdael (1628/29 – 1682) and Pieter Saenredam (1597 – 1665), regarded as the best artist of the century of this representative subject of the Dutch art. To represent a theme where Dutch artists have excelled, the marinescapes, Ludolf Bakhuyzen (1630 – 1708) and Willem van de Velde le Jeune (1633 – 1707) are the selected artists. The exhibition will be accompanied by a free leaflet (in French), which describes the drawings on display. Possibility to buy the catalogue written by Annemarie Stefes (3 volumes, in German). In collaboration with the Hamburger Kunsthalle.

"Netherlandish Masters 1500-1700: the hundred most beautiful drawings of the Hamburger Kunsthalle" (Maîtres des Pays-Bas 1500-1700: Les cent plus belles feuilles de la Kunsthalle de Hambourg) can be visited from March 24 through May 22, 2011 at the l’Institut Néerlandais, 121 rue de Lille, 75007 Paris.

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